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To the Lighthouse –
Reflections on Robert Mason
by Sara Knelman
A Portfolio of work
by Robert Mason
Was Edward Roper a Hamilton Artist?
by Jim Burant
A Hamilton Suite
by James Dheal
Visual Aid by Peter Stevens
A Portfolio of work
by Jason Avery
extrait d'œuvre
& Lines – For Conrad Furey
by Bernadette Rule
Living Arrangements:
Sublimation, Decor, and the Pursuit of Happiness in the Paintings of Ian McLean
by Eliza Griffiths
Ian McLean: Yards & Muscle Cars
by Andrea Rabinovitch
Portfolio I & Portfolio II
by Ian McLean
extrait d'œuvre
by Megan M. Garr
making / un-making:
the performances of Lalie Douglas
extrait d'œuvre
by Norma West Linder
I am a
by Anna Jane McIntyre
There and Here: Poems written in three countries
by Peter Abbot
McMaster University Art History Update
A Letter from Adam Belovari
L'ENVOI
by R. Kipling
What to do about 2-1
by David Cohen
To A World Awaiting Three More Sonnets
by Robert Clark Yates
Armillary Sphere
Compass & Map
Verbs live out their life right in front of us. In art the plot and action are vanishing. Those actions that exist in my poems are illogical and useless, they cannot be called actions.
Of a person who used to put on a hat and walk outside, we used to say: he walked outside.
This was meaningless. The word walked is an incomprehensible word. But now: he put on his hat and it was getting light and the (blue) sky took off like an eagle. Events do not coincide with time. Time has eaten the event. Not even the bones are left.
The Gray Notebook | Alexander Vvedensky (1904-1941). From an edition first published in 2002 as the inaugural book (Number Zero) of the Eastern European Poets Series from Ugly Duckling Presse.
Paul Lisson, Editor
Art Director: Peter Stevens
Fiona Kinsella: Designer &
HA&L's Associate Editor
Hamilton Arts & Letters
ISSN 1916-8454
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