HA&L magazine issue fourteen.2

Poetry • by Remi Recchia

 

Poetry


by Remi Recchia


    

Drawing of two skeletons in profile kneeling down. One skeleton is praying.
Drawing of Cheselden’s skeleton taken from “Accuracy and Elegance
in Cheselden’s Osteographia (1733)” by Monique Kornell.




Ekphrastic for Cheselden’s Skeleton, 1733



Hands up, knees bent—Cheselden’s skeleton says his prayers
before bed. His mother has perhaps made him a mug of hot

chocolate, read him ghost stories in which the supernatural
saves the day this time. Maybe his father is working late

or his father has been laid-off. The skeleton teases
his sister too much, maybe, or carries her books to school.

Maybe Cheselden’s skeleton has just thrown a tantrum.
Cheselden’s skeleton is not allowed to play video games

or close the door when entertaining other skeletons.
Maybe Cheselden’s skeleton is a problem student. Maybe

Cheselden’s skeleton makes straight As. No one knows
why Cheselden’s skeleton is praying, only that his eye

sockets gleam with intention, his mandible twitching
open with a crack or a startling pop. Cheselden’s skeleton

has perfect ribs, perhaps tells imperfect fibs. His arms
betray each ligament. He is hollow to the touch.

Cheselden’s skeleton’s feet are large, flat, and
pointless: he can’t run, can’t move a single ivory

muscle away from the cemetery inside his heart.
Mama and papa skeleton have hung up a nice

vest for him in the closet—maybe there will be a parade
tomorrow, a waking or walking of the dead.

Cheselden’s skeleton freezes like a snow
rabbit, cranium itching in the cold.


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[Distillate © HA&L + Remi Recchia {from the Greek bios} -- the course of a life.]

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