McPhail and Juliusson create installations that vary in concept yet relate in process. Call it obsessiveness –madness even, both artists repeat gestures to the point of absurdity, with differing ideas at the core. McPhail deals more explicitly with human behaviour: self-consciousness, sexuality, sincerity and the mundanity therein. The initially vulnerable and sincere tone of his work is rounded off with a hint of self-deprecation and an undeniable humour. Juliusson’s work comes from a place of human behaviour too, yet achieves an aesthetic that beckons the microscopic world of organisms made large and startlingly vivid. Transferring 2D maps of Iceland (her place of birth) into the third dimension, and translating years of personal files into her own language, she converts her experiences into odd, yet beautiful forms that read as both foreign and familiar. At the most basic level, what connects these two artists' work is the action of attachment and repetition. The compulsivity with which this action is repeated leads to stunningly complex and intricate installations that transform mundane materials into something meaningful. Both artists explore the possibilities and potential of their material of choice while allowing the textiles to dictate their actions and ultimately control the outcome of a piece.